The Seemorgh Ensemble
Seemorgh (also Simorgh, Simurgh) is a legendary bird in Persian literature. Literally translated “Thirty-Birds,” it has been cleverly used by Fareed Eddeen Attaar (1142–1220), one of the greatest Persian Sufi mystic poets, in his Mantegh Attayr, The Conference of the Birds, to explain how the group effort of thirty birds led them to a superior destiny, becoming a Seemorgh. Attar’s ingenious interpretation, the symbolic association of birds with beautiful singing, and the obvious collaborative nature of a chorus, among others, were the motivations for choosing “Seemorgh” as the name for this ensemble.
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A Transcendent Homage: A Choral Tribute to the House of Torgom
(March 27, April 3 and 9, 2011)

The Seemorgh Ensemble performed a colorful selection of Armenian sacred and secular choral repertoire as a well-deserved tribute to the legacy of the “House of Torgom.” The program featured works by Komitas in memory of the 75th anniversary of his passing. The audience discovered the wittiness of Barsegh Kanachian in his Shoosho and Dsenkele-Menkele, and was mesmerized by Leylaama and To Beeyo, two masterful compositions of Sergey Aghajanian in Persian dialects. A recent work by Daniel Yeazhisht, April 24 (La Minor), was truly transcendent in that time of year, and James Gozalian’s Dsidsernak (Swallow), called to mind the unmatched beauty of the Armenian choral heritage.
Artin Der Minassians, Artistic Director
Audience feedback:
Program Notes: Click here
(January 22, 2010)
Reviews:

Year 2009 commemorated the 140-year anniversary of the birth of Komitas (1869-1935), the founder of the Armenian classical music. The Seemorgh Ensemble honored this occasion by bringing to life some rarely performed sacred and secular choral masterpieces by Komitas and his renowned student, Barsegh Kanachian. Program featured Komitas’ two unseen jewels, Lord’s Prayer and Vespers Hymn, along with An den Wassern zu Babel, the only choral music he composed in German. Kanachian’s Nanor took the audience on a pilgrimage to St. Karapet monastery and a complete cycle of Komitas’ Wedding Songs, together with other surprises, called to mind the beauty of Armenian tradition.
Artin Der Minassians, Conductor
Vahan Mirakian, Guest Soloist
Audience feedback:

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A Transcendent Homage: A Choral Tribute to the House of Torgom
(March 27, April 3 and 9, 2011)

The Seemorgh Ensemble performed a colorful selection of Armenian sacred and secular choral repertoire as a well-deserved tribute to the legacy of the “House of Torgom.” The program featured works by Komitas in memory of the 75th anniversary of his passing. The audience discovered the wittiness of Barsegh Kanachian in his Shoosho and Dsenkele-Menkele, and was mesmerized by Leylaama and To Beeyo, two masterful compositions of Sergey Aghajanian in Persian dialects. A recent work by Daniel Yeazhisht, April 24 (La Minor), was truly transcendent in that time of year, and James Gozalian’s Dsidsernak (Swallow), called to mind the unmatched beauty of the Armenian choral heritage.
Artin Der Minassians, Artistic Director
Audience feedback:
"Thank you for another wonderful and unique evening with Armenian choral music."
"I really enjoyed the concert tonight. It was an amazing program and I appreciate all the hard work that you guys put into it."
"Congratulations! Your concert last night, I thought, was so moving that it brought Gomidas Vartabed back to life. It was beautifully presented and those sounds and the music conjured up deep emotions the likes of which I had not experienced in a long long time. Thank you, thank you, thank you..."
"Thank you so much for arranging an absolutely beautiful choral concert celebrating the music of Komitas and selected Armenian composers. We are truly blessed to have you share the beauty and message of these compositions. Our gratitude goes out to each member of the Seemorgh Ensemble for their commitment and dedication in sharing their talents with us. Thank you for enriching our lives."
- "I am very impressed with the quality of your work and proud to have been a part of the audience."
Program Notes: Click here
Music Samples: Coming Soon...
A Collaboration of The Seemorgh Ensemble with Oakland East Bay Symphony
Reviews:
- San Francisco Classical Voice [A Toast to Armenia]
The evening concluded spectacularly with two short but spirited choral works... The Seemorgh Ensemble and
“select singers from various Bay Area choral groups” sang lustily the
proud lyrics:
"But we did not fall, we always exist. We did not vanish and will still come."
"But we did not fall, we always exist. We did not vanish and will still come."
- Oakland Tribune, Mercury News, and Contra Costa Times [Link]
Artin Der Minassians' Seemorgh Ensemble (a mixed chorus of singers) created a panoply of stirring sounds in two contrasting patriotic songs —"Yerevan Erebooni" and "Sardarapat" — by Edgar Hovhannisyan.
San Francisco Chronicle
The Armenian novelties on the second half culminated with the appearance of the Seemorgh Ensemble to raise the rafters... These proved to be undeniably stirring.
Audience feedback:
"We immensely enjoyed the music and the choral pieces on Friday evening. We also felt very proud."
"The symphony program Friday night was pure pleasure. The chorus was astonishing... They sang with much feeling and clarity. You are to be congratulated on the excellent portion of 'Notes from Armenia.'"
"I really enjoyed the performance. The a cappella sections were great. I could really feel the weight of the text then."
"I enjoyed the evening very much! It was amazing, bringing back the memories of Armenia."
"Beautiful evening on Friday - the choral pieces were amazing!"
"I just wanted to let you know that the choir had an excellent performance on Jan 22nd. I am so grateful for all the hard work all of you put into it. It was truly a pleasure to hear you along side the symphony. Also I enjoyed the description of the songs and music prior to the performance. The talk was very informative... I really enjoyed it and I look forward to your next performance."
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The Ever-Ringing Belfry: The Legacy of Komitas
(November 21-22, 2009)

Year 2009 commemorated the 140-year anniversary of the birth of Komitas (1869-1935), the founder of the Armenian classical music. The Seemorgh Ensemble honored this occasion by bringing to life some rarely performed sacred and secular choral masterpieces by Komitas and his renowned student, Barsegh Kanachian. Program featured Komitas’ two unseen jewels, Lord’s Prayer and Vespers Hymn, along with An den Wassern zu Babel, the only choral music he composed in German. Kanachian’s Nanor took the audience on a pilgrimage to St. Karapet monastery and a complete cycle of Komitas’ Wedding Songs, together with other surprises, called to mind the beauty of Armenian tradition.
Artin Der Minassians, Conductor
Vahan Mirakian, Guest Soloist
Audience feedback:
- "May I just say how much my wife and I enjoyed the performance... I was proud to see Komitas’ work given the attention it deserves and as a fan I was floored by the quality, and tone of the performance. My many thanks to you, and all the singers who lent their tremendous talents."
- "Congratulations on a beautiful concert last night. It was a privilege to hear that music. It was very moving. We really enjoyed it. Beautiful sound in a beautiful church. I loved Nanor especially."
- "It was a spectacular performance."
- "What a wonderful performance, under the spell of the beautiful architecture and mosaics. Thank you for continuing to give us beautiful art!! I know it requires alot of energy that anything beautiful requires! That was the most beautiful version of Hayr Mer [Lord's Prayer] I had ever heard."
- "Splendid concert last night. Thanks for making Komitas accessible to the Bay Area!"
Music Samples: Coming Soon...
From Constantinople to Tbilisi: An Armenian Legacy
(November 21-23, 2008)
(November 21-23, 2008)

After
movingly sublime and enthusiastically received performances of Armenian
choral repertoire in June and July 2008, Bay Area Classical Harmonies was proud to present a full program of rarely-performed Armenian classical
music. Audiences experienced Sarkis Aslamazian's unparalleled
arrangements for string quartet as well as choral masterpieces by
Komitas, M. Yekmalian, B. Kanachian, G. Syuni, and the late S.
Aghajanian. These best-kept secrets of Eastern classical music promised to be an experience music lovers would not soon forget.
Artin Der Minassians, Conductor
Berverly Nalbandian, Guest Soloist
Berverly Nalbandian, Guest Soloist
Program Notes: Click here
Music Samples: Coming Soon...
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